LISE LEBLEUX



My sound practice is based on field recording sessions where I try to capture the singularity of each soundscape. The choice of the recording place determines the nature of the sounds - because each space has its own sound imprint.
Field recording is a confrontation between the interior and the surrounding outside space(s). The sound recordist sculpts with the sounds that pass through him/her and his/her microphones. These moments of solitude create a necessarily intimate link with the space and its context: between the nature of the field recordings and the places of broadcasting.

The physiologist Johannes Müller wrote "Without the living ear, there is no sound in the world, only vibrations"


COMPOSITE
RECORDING

INNER
LISTENING


OVERLAYING

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